VIDEO: VILLA-LOBOS, PRELUDE 1, IN THE CONCERT 'THE DEVIL TO PAY IN THE BACKLANDS'
Excerpt from the acclaimed concert "The Devil to Pay in The Backlands - A journey through 20th century guitar music in dialogue
with Guimarães Rosa's poetry", in honour of the globally known Brazilian writer. Alexandre Moschella, guitar and recitation. Recorded in Registro, SP, Brazil, in April 2011.
VIDEO: GUERRA-PEIXE, PRELUDES 4-5, IN THE CONCERT 'THE DEVIL TO PAY IN THE BACKLANDS'
Excerpt from the acclaimed concert "The Devil to Pay in The Backlands - A journey through 20th century guitar music in dialogue
with Guimarães Rosa's poetry", in honour of the globally known Brazilian writer. Alexandre Moschella, guitar and recitation. Recorded in Registro, SP, Brazil, in April 2011.
VIDEO: L. BROUWER, LA ESPIRAL ETERNA, IN THE CONCERT 'THE DEVIL TO PAY IN THE BACKLANDS'
Excerpt from the acclaimed concert "The Devil to Pay in The Backlands - A journey through 20th century guitar music in dialogue
with Guimarães Rosa's poetry", in honour of the globally known Brazilian writer. Alexandre Moschella, guitar and recitation. Recorded in Registro, SP, Brazil, in April 2011.
AUDIO: 'GRANDE SERTÃO:
VARIAÇÕES' (Variations on 'The Devil to Pay
in the Backlands')
Audio trailer for the concert marking writer João Guimarães
Rosa's centenary. (Visit the project's hotsite)
- Introduction: Guimarães Rosa's voice. ("The
world is magical. People don't die. They are simply enchanted.")
- Excerpts from Rosa's 'Grande Sertão: Veredas' ('The
Devil to Pay in the Backlands') read by Moschella.
- Excerpts from pieces by H. Villa-Lobos (Prelude 1), C. Guerra-Peixe
(Preludes 4 and 5) and L. Brouwer (Elogio de la Danza) played
by Moschella.
VIDEO: L. BROUWER, 'ELOGIO DE
LA DANZA', IN CONFERENCE ABOUT POSTURE
Moschella plays the modern Cuban piece to demonstrate his posture
with endpin during a conference about the subject he gave at
Contemporary Music Society in Bucharest, Romania, in November
2007.
AUDIO: LINA PIRES DE CAMPOS, 'PONTEIO
& TOCCATINA'
In a slow introduction followed by a fast movement, the Brazilian
composer mixes folk elements and 20th century language.